Press Release for Solstice Blessing:
So you live in a Nutcracker-Scrooge-Church Pageant holiday marketplace. But what about those who crave a non-traditional but deeply spiritual holiday experience?  Jaime Meyer’s Solstice Blessing might be what you seek. Solstice Blessing is part theatre, part laugh-until-you-hurt storytelling, and part shamanic ceremony. It has played to sold-out houses for five straight years. Everyone in the audience plays drums or rattles supplied by Meyer. (Many people bring their own too.) Dancing and ecstasy are encouraged but not required. The evening blends Meyer’s seminary degree with his 23 years of studying Celtic and Nordic shamanic traditions and trance-inducing percussion and his love of wild, irreverent fun. 

Solstice Blessing focuses on the image of the reindeer as the “great beating heart of blessing at the center of creation.” He first encountered the spiritual reindeer while studying with a shaman, an ethnic Sami—the indigenous people of northern Scandinavia. Meyer’s fascination with the reindeer as a spiritual image, and how that image has been converted into the story of Rudolf led him to create this winter solstice event.

The show includes a chorus of women chanting mysterious Nordic melodies with a dark and ancient feel, songs that, as one audience member said, “Lutherans don’t learn.” The evening culminates with a shamanically inspired ceremony of blessing from the Great White Reindeer. Another audience member described it “Like church on acid.”

Meyer has a long background as a playwright and theatre producer. He founded a theater company with local wunderkind Kevin Kling, and later, the first Hmong theatre company in the world, writing plays in English and Hmong that were produced in many cities across the USA to hundreds of thousands of audience members. For the last eight years he has created twice-monthly drumming experiences called “Drumming the Soul Awake.”(Also the title of his book, available on Amazon.com.)  

“I’ve made it my life’s goal to become progressively more invisible to the large mainstream theatre audience,” Meyer quips. But just as quickly he becomes more serious and admits that something not quite graspable been leading him for many years, calling him away from traditional theatre, and toward ceremony, where people can actively participate, and where they can encounter some kind of sacred Presence.

“Something so inexpressible and utterly mysterious happens when people drum together,” says Meyer. “You create a sacred space together. Time bends and emotions flow more freely. Spiritual toxins locked inside are washed out, and you become filled with life energy, and this energy reaches out and blesses the world around you. You become part of the earth rather than loud tourists or ignorant visitors. You bless and become blessed by the deep beauty of the living earth.”

He adds quickly: “But besides all that, studies show that drumming makes you sexy. It raises the energy that the Greeks called Eros—erotic energy. I learned that the first time I drummed. One ancient Greek also said that men with too much Eros lose their hair because it rises up inside them and burns the roots of the hair from the inside. I learned that part too late.”  

Meyer is keenly aware that many people hunger for meaningful spiritual experiences but are turned off both by dogmatic traditional religion and new age practices. He has struggled mightily over the years with what to call himself. “Minister” isn’t quite right since he shuns insitutional religion. He finds the term “shaman” pretentious and terrifying. But “theatre artist” is too bloodless since his recent work has become so distinctly ceremonial and participatory, moving outside the bounds of theatre.

Meyer says, “I asked a friend what I should call myself and she thought for a moment and said ‘How about ‘latté shaman?’ That’s a perfect description and I’ve decided never to speak to her again.”

Meyer fills his serious spiritual theatre work with just as serious humor. “The day I stop laughing at my own absurdities is the day I become a dangerous spiritual person” he says, “and we have too many of those already.” 

In his seminary studies Meyer came across two ideas that have formed the basis for his work in the last several years. The first is that the most powerful individual religious experiences happen in smaller groups. The second is the idea that in all ages and eras, there is a fundamental theological question driving every culture, whether they know it or not. All religious structures throughout time are answers to that question, even if the people don’t consciously know what the question is.  

And the question for our time? Meyer thinks it is “what is humans’ place in the web of life on earth?” Blessing is one answer to that question, and the summary comes in these words that he sings in the show:

You did not come into this world.
You came out of it.
Like the wave crest out of the ocean,
Like the purple bloom on the lily.
And you are not a stranger here,
And you are not alone.
No, you are not a stranger here
And you are already home.

The Minnesota Opera Center is located at 601 North First Street, in the warehouse district of Downtown Minneapolis (three blocks north of Washington Avenue, six blocks West of Hennepin Avenue.). There is ample free parking directly across the street from the MN Opera Center, paid parking ½ block away, and parking on the street.

Production Information:

Solstice Blessing by Jaime Meyer
December 18-19 At The Minnesota Opera Center,
601 North First Street
Downtown Minneapolis
Time: 7:30 PM
Tickets: $20
Buy on line at:  Brown Paper Tickets
 www.brownpapertickets.com/event/90460
Or pay cash at the door
Seating is limited. All seats are general admission.
For more information on Jaime Meyer see www.drummingthesoulawake.com